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Reviewers give Jessye and her new album high marks:
“…razor sharp lyrics, paired frequently with an almost ethereal vocal…”
American Songwriter
“Utterly tender hearted. Warm and sincere. At times, uncomfortably honest…”
The Ark of Music
“…important and timely compositions about issues related to identity and empowerment”
No Depression
Reviewers give Jessye and her new album high marks:
“…razor sharp lyrics, paired frequently with an almost ethereal vocal…”
American Songwriter
“Utterly tender hearted. Warm and sincere. At times, uncomfortably honest…”
The Ark of Music
“…important and timely compositions about issues related to identity and empowerment”
No Depression
Jessye DeSilva infuses hope into songs about religious alienation, mental health struggles, and societal injustice to create a uniquely queer and unholy ruckus. Jessye’s newest album Glitter Up the Dark, produced by Aaron Lee Tasjan, is getting rave reviews. She writes about the album “Aaron and I came up with the idea to write an album that would center the idea of joy, in a broad sense…specifically, the joy of marginalized communities…joy is something you have to fight and work for. Standing strong in the sense of yourself…” Glitter up the Dark is an astonishing and nuanced meditation on community, memory, resistance and survival arriving at a necessary and vital time.
[eventDescHTML] =>Jessye DeSilva infuses hope into songs about religious alienation, mental health struggles, and societal injustice to create a uniquely queer and unholy ruckus. Jessye’s newest album Glitter Up the Dark, produced by Aaron Lee Tasjan, is getting rave reviews. She writes about the album “Aaron and I came up with the idea to write an album that would center the idea of joy, in a broad sense…specifically, the joy of marginalized communities…joy is something you have to fight and work for. Standing strong in the sense of yourself…” Glitter up the Dark is an astonishing and nuanced meditation on community, memory, resistance and survival arriving at a necessary and vital time.
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Warm and sincere. At times, uncomfortably honest\u2026\u201d \u201c\u2026important and timely compositions about issues related to identity and empowerment\u201d Reviewers give Jessye and her new album high marks: <\/strong><\/p>\r\n \u201c\u2026razor sharp lyrics, paired frequently with an almost ethereal vocal\u2026\u201d \u201cUtterly tender hearted. Warm and sincere. At times, uncomfortably honest\u2026\u201d \u201c\u2026important and timely compositions about issues related to identity and empowerment\u201d Sunday, June 14, 2026 3:30pm Jessye DeSilva infuses hope into songs about religious alienation, mental health struggles, and societal injustice to create a uniquely queer and unholy ruckus. Jessye’s newest album Glitter Up the Dark, produced by Aaron Lee Tasjan, is getting rave reviews. She writes about the album “Aaron and I came up with the idea to write an album that would center the idea of joy, in a broad sense…specifically, the joy of marginalized communities…joy is something you have to fight and work for. Standing strong in the sense of yourself…” Glitter up the Dark is an astonishing and nuanced meditation on community, memory, resistance and survival arriving at a necessary and vital time. The John Baboian Ensemble with vocalist Sandi Bedrosian. Well known as an accomplished guitarist and composer in jazz and swing circles, John Baboian is equally at home in the classical, blues, rock, R&B, Latin, and world music traditions. He has performed all over the world and has shared the stage with a who’s who of music industry legends. His work has been featured on a number of popular television series and more than 20 recordings. As an educator for more than 40 years, Baboian has inspired and trained a generation of aspiring musicians. An audience favorite, Baboian and his ensemble, several of whom are fellow faculty members from the Berklee College of Music, have traditionally opened the Music on Meetinghouse Green series. Sandi Bedrosian is well known as a lead vocalist and director in a wide range of musical styles and has opened for some of today’s hottest stars. She has performed coast to coast and throughout Europe and her repertoire includes musical productions, theater, and opera. The John Baboian Ensemble with vocalist Sandi Bedrosian. Well known as an accomplished guitarist and composer in jazz and swing circles, John Baboian is equally at home in the classical, blues, rock, R&B, Latin, and world music traditions. He has performed all over the world and has shared the stage with a who’s who of music industry legends. His work has been featured on a number of popular television series and more than 20 recordings. As an educator for more than 40 years, Baboian has inspired and trained a generation of aspiring musicians. An audience favorite, Baboian and his ensemble, several of whom are fellow faculty members from the Berklee College of Music, have traditionally opened the Music on Meetinghouse Green series. Sandi Bedrosian is well known as a lead vocalist and director in a wide range of musical styles and has opened for some of today’s hottest stars. She has performed coast to coast and throughout Europe and her repertoire includes musical productions, theater, and opera. Friday, July 10, 2026 6:00pm The John Baboian Ensemble with vocalist Sandi Bedrosian. Well known as an accomplished guitarist and composer in jazz and swing circles, John Baboian is equally at home in the classical, blues, rock, R&B, Latin, and world music traditions. He has performed all over the world and has shared the stage with a who’s who of music industry legends. His work has been featured on a number of popular television series and more than 20 recordings. As an educator for more than 40 years, Baboian has inspired and trained a generation of aspiring musicians. An audience favorite, Baboian and his ensemble, several of whom are fellow faculty members from the Berklee College of Music, have traditionally opened the Music on Meetinghouse Green series. Sandi Bedrosian is well known as a lead vocalist and director in a wide range of musical styles and has opened for some of today’s hottest stars. She has performed coast to coast and throughout Europe and her repertoire includes musical productions, theater, and opera. They're Back! With their exciting three-part vocals that put their stamp on whichever musical genre they choose, HEADLANDS has been playing at clubs, restaurants, outdoor festivals and private events since 2017. Whether an acoustic trio or a full-blown rock band with percussion, fiddle and horns, you can be sure HEADLANDS treat their audiences to thrilling harmonies, tight arrangements, and humor! They’re Back! With their exciting three-part vocals that put their stamp on whichever musical genre they choose, HEADLANDS has been playing at clubs, restaurants, outdoor festivals and private events since 2017. Whether an acoustic trio or a full-blown rock band with percussion, fiddle and horns, you can be sure HEADLANDS treat their audiences to thrilling harmonies, tight arrangements, and humor! Friday, July 24, 2026 6:00pm They’re Back! With their exciting three-part vocals that put their stamp on whichever musical genre they choose, HEADLANDS has been playing at clubs, restaurants, outdoor festivals and private events since 2017. Whether an acoustic trio or a full-blown rock band with percussion, fiddle and horns, you can be sure HEADLANDS treat their audiences to thrilling harmonies, tight arrangements, and humor! Rhiannon Hurst earned some serious respect in the jazz world even before she graduated high school. She won 2nd place in the Berklee International High School Jazz Singer’s Showcase and was one of four graduating seniors to receive the Excellence in Music Award from the Massachusetts Music Educators Association. She was the recipient of a prestigious 2021 National YoungArts Foundation (YoungArts) award in jazz voice for her caliber of artistic achievement. Her professional engagements have ranged from Boston’s Symphony Hall and the State Room to the North Shore’s favorite restaurants. With Matthew Walsh on Bass and Saxophone, Emmett Price IV on drums, and Jace Mason on guitar. Rhiannon Hurst earned some serious respect in the jazz world even before she graduated high school. She won 2nd place in the Berklee International High School Jazz Singer’s Showcase and was one of four graduating seniors to receive the Excellence in Music Award from the Massachusetts Music Educators Association. She was the recipient of a prestigious 2021 National YoungArts Foundation (YoungArts) award in jazz voice for her caliber of artistic achievement. Her professional engagements have ranged from Boston’s Symphony Hall and the State Room to the North Shore’s favorite restaurants. With Matthew Walsh on Bass and Saxophone, Emmett Price IV on drums, and Jace Mason on guitar. Friday, July 31, 2026 6:00pm Rhiannon Hurst earned some serious respect in the jazz world even before she graduated high school. She won 2nd place in the Berklee International High School Jazz Singer’s Showcase and was one of four graduating seniors to receive the Excellence in Music Award from the Massachusetts Music Educators Association. She was the recipient of a prestigious 2021 National YoungArts Foundation (YoungArts) award in jazz voice for her caliber of artistic achievement. Her professional engagements have ranged from Boston’s Symphony Hall and the State Room to the North Shore’s favorite restaurants. With Matthew Walsh on Bass and Saxophone, Emmett Price IV on drums, and Jace Mason on guitar. This trio of classically trained musicians blends Western jazz favorites with the irresistible rhythms and melodies of their Middle Eastern backgrounds for a thrilling evening of East-meets-West fusion. Get ready for an unforgettable evening as these three virtuoso musicians take you on a unique musical journey that will have you dancing in the aisles. Mal Barsamian is a multi-talented instrumentalist equally skilled on classical and rhythm guitars, clarinet, saxophone, and the traditional Middle Eastern oud. Harry Bedrossian is a classically trained concert pianist who has embraced the Jazz tradition through the work of Oscar Petersen and Bill Evans. He is also an accomplished oud player. Charles Dermenjian is a talented percussionist who has shared the stage with a number of jazz greats and performed extensively both nationally and internationally. He plays the doumbek, a traditional percussion instrument common throughout Middle Eastern cultures. This trio of classically trained musicians blends Western jazz favorites with the irresistible rhythms and melodies of their Middle Eastern backgrounds for a thrilling evening of East-meets-West fusion. Get ready for an unforgettable evening as these three virtuoso musicians take you on a unique musical journey that will have you dancing in the aisles. Mal Barsamian is a multi-talented instrumentalist equally skilled on classical and rhythm guitars, clarinet, saxophone, and the traditional Middle Eastern oud. Harry Bedrossian is a classically trained concert pianist who has embraced the Jazz tradition through the work of Oscar Petersen and Bill Evans. He is also an accomplished oud player. Charles Dermenjian is a talented percussionist who has shared the stage with a number of jazz greats and performed extensively both nationally and internationally. He plays the doumbek, a traditional percussion instrument common throughout Middle Eastern cultures. Friday, August 07, 2026 6:00pm This trio of classically trained musicians blends Western jazz favorites with the irresistible rhythms and melodies of their Middle Eastern backgrounds for a thrilling evening of East-meets-West fusion. Get ready for an unforgettable evening as these three virtuoso musicians take you on a unique musical journey that will have you dancing in the aisles. Mal Barsamian is a multi-talented instrumentalist equally skilled on classical and rhythm guitars, clarinet, saxophone, and the traditional Middle Eastern oud. Harry Bedrossian is a classically trained concert pianist who has embraced the Jazz tradition through the work of Oscar Petersen and Bill Evans. He is also an accomplished oud player. Charles Dermenjian is a talented percussionist who has shared the stage with a number of jazz greats and performed extensively both nationally and internationally. He plays the doumbek, a traditional percussion instrument common throughout Middle Eastern cultures. He played with the Lost, the Bagatelle and the Grass Menagerie before becoming a member of the Velvet Underground in late 1971, joining fellow Grass Menagerie alumni Doug Yule and Walter Powers and replacing Sterling Morrison, who had gone off to pursue an academic career. With the Velvet Underground, Alexander toured England, Scotland and the Netherlands in support of then-current album Loaded. After completing the tour on November 21, 1971, in Groningen, the band planned to start recording a new album, but band manager Steve Sesnick sent all of the band but Yule home, presumably to retain maximum control of the product (the resulting album was Squeeze, released in 1973) and effectively ending Alexander's time with the band. After leaving the Velvet Underground, he enjoyed a checkered career, both solo and with his Boom Boom Band, that lasts to this day. In-between, Alexander teamed up with Powers to tour France in 1982 for French punk record label New Rose Records, in 1987 opening for Dramarama and in 2006 for a tour with the legendary Boom Boom band. Alexander's 1975 single "Kerouac" was covered by Tim Presley on the album The Wink (Drag City, 2016) and his 1980 single "Gin" was covered by Luna on their covers album A Sentimental Education (Double Feature, 2017). In addition to his storied music career, in 1994, Willie narrated a local film entitled Middle Street made by fellow Gloucester native, independent filmmaker Henry Ferrini. Willie has also contributed many songs to the soundtracks for Henry's other films. He played with the Lost, the Bagatelle and the Grass Menagerie before becoming a member of the Velvet Underground in late 1971, joining fellow Grass Menagerie alumni Doug Yule and Walter Powers and replacing Sterling Morrison, who had gone off to pursue an academic career. With the Velvet Underground, Alexander toured England, Scotland and the Netherlands in support of then-current album Loaded. After completing the tour on November 21, 1971, in Groningen, the band planned to start recording a new album, but band manager Steve Sesnick sent all of the band but Yule home, presumably to retain maximum control of the product (the resulting album was Squeeze, released in 1973) and effectively ending Alexander's time with the band. After leaving the Velvet Underground, he enjoyed a checkered career, both solo and with his Boom Boom Band, that lasts to this day. In-between, Alexander teamed up with Powers to tour France in 1982 for French punk record label New Rose Records, in 1987 opening for Dramarama and in 2006 for a tour with the legendary Boom Boom band. Alexander's 1975 single "Kerouac" was covered by Tim Presley on the album The Wink (Drag City, 2016) and his 1980 single "Gin" was covered by Luna on their covers album A Sentimental Education (Double Feature, 2017). In addition to his storied music career, in 1994, Willie narrated a local film entitled Middle Street made by fellow Gloucester native, independent filmmaker Henry Ferrini. Willie has also contributed many songs to the soundtracks for Henry's other films. Willie Alexander, punk music legend, musical innovator, and artistic icon, returns to Music on Meetinghouse Green with his band for a rocking evening. Gloucester’s own Willie ‘Loco’ Alexander shares his legendary talent as a singer, songwriter and keyboardist. With his roots in Boston’s punk rock scene of the 70’s and 80’s, Willie’s musical career has flourished for more than 50 years. Whether as a band member with the Lost, Bagatelle, Grass Menagerie and the post-Lou Reed Velvet Underground, or as front man for his own series of bands, Willie’s enduring popularity is a reflection of his unique musical voice and artistic vision. A true artist, Willie has expanded his work to other mediums including soundtracks for local filmmaker Henry Ferrini, collage and painting. Willie Alexander, punk music legend, musical innovator, and artistic icon, returns to Music on Meetinghouse Green with his band for a rocking evening. Gloucester’s own Willie ‘Loco’ Alexander shares his legendary talent as a singer, songwriter and keyboardist. With his roots in Boston’s punk rock scene of the 70’s and 80’s, Willie’s musical career has flourished for more than 50 years. Whether as a band member with the Lost, Bagatelle, Grass Menagerie and the post-Lou Reed Velvet Underground, or as front man for his own series of bands, Willie’s enduring popularity is a reflection of his unique musical voice and artistic vision. A true artist, Willie has expanded his work to other mediums including soundtracks for local filmmaker Henry Ferrini, collage and painting. He played with the Lost<\/a>, the Bagatelle and the Grass Menagerie before becoming a member of the Velvet Underground<\/a> in late 1971, joining fellow Grass Menagerie alumni Doug Yule<\/a> and Walter Powers<\/a> and replacing Sterling Morrison<\/a>, who had gone off to pursue an academic career.<\/p>\r\n With the Velvet Underground, Alexander toured England<\/a>, Scotland<\/a> and the Netherlands<\/a> in support of then-current album Loaded<\/a><\/em>. After completing the tour on November 21, 1971, in Groningen<\/a>, the band planned to start recording a new album, but band manager<\/a> Steve Sesnick<\/a> sent all of the band but Yule home, presumably to retain maximum control of the product (the resulting album was Squeeze<\/a><\/em>, released in 1973) and effectively ending Alexander's time with the band.<\/p>\r\n After leaving the Velvet Underground, he enjoyed a checkered career, both solo and with his Boom Boom Band<\/a>, that lasts to this day. 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After completing the tour on November 21, 1971, in Groningen<\/a>, the band planned to start recording a new album, but band manager<\/a> Steve Sesnick<\/a> sent all of the band but Yule home, presumably to retain maximum control of the product (the resulting album was Squeeze<\/a><\/em>, released in 1973) and effectively ending Alexander's time with the band.<\/p>\r\n After leaving the Velvet Underground, he enjoyed a checkered career, both solo and with his Boom Boom Band<\/a>, that lasts to this day. In-between, Alexander teamed up with Powers to tour France<\/a> in 1982 for French<\/a> punk<\/a> record label<\/a> New Rose Records<\/a>, in 1987 opening for Dramarama<\/a> and in 2006 for a tour with the legendary Boom Boom band.<\/p>\r\n Alexander's 1975 single \"Kerouac\" was covered by Tim Presley<\/a> on the album The Wink<\/em> (Drag City, 2016) and his 1980 single \"Gin\" was covered by Luna<\/a> on their covers album A Sentimental Education<\/em> (Double Feature, 2017).<\/p>\r\n In addition to his storied music career, in 1994, Willie narrated a local film entitled Middle Street<\/em> made by fellow Gloucester<\/a> native, independent filmmaker Henry Ferrini<\/a>. 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Gloucester’s own Willie ‘Loco’ Alexander shares his legendary talent as a singer, songwriter and keyboardist. With his roots in Boston’s punk rock scene of the 70’s and 80’s, Willie’s musical career has flourished for more than 50 years. Whether as a band member with the Lost, Bagatelle, Grass Menagerie and the post-Lou Reed Velvet Underground, or as front man for his own series of bands, Willie’s enduring popularity is a reflection of his unique musical voice and artistic vision. A true artist, Willie has expanded his work to other mediums including soundtracks for local filmmaker Henry Ferrini, collage and painting. Singer/songwriter 3rian King and the musicians of What Time Is It Mr. Fox? deliver an electrifying performance with an evening of smoky cabaret, neo-soul, and acoustic noir. Well known in Boston’s underground cabaret scene, What Time Is It Mr. Fox? has earned a loyal following with frequent performances in New York City and tours across the United States. Their original songs feature rich lyrical imagery that explore love, spirituality, sexuality, and identity, and their performances are infused with energy, honesty, and emotional authenticity. Their unique brand of music and performance art has been adopted by popular singers, filmmakers, and repertory theaters. Band members include: 3rian King, voice, piano, and acoustic guitar; Nathan Cohen, violin, trumpet, voice; Dennis Monagle, drums; Renee Dupuis, voice, keys, and melodica; and Joe Cardoza, upright bass. Singer/songwriter 3rian King and the musicians of What Time Is It Mr. Fox? deliver an electrifying performance with an evening of smoky cabaret, neo-soul, and acoustic noir. Well known in Boston’s underground cabaret scene, What Time Is It Mr. Fox? has earned a loyal following with frequent performances in New York City and tours across the United States. Their original songs feature rich lyrical imagery that explore love, spirituality, sexuality, and identity, and their performances are infused with energy, honesty, and emotional authenticity. Their unique brand of music and performance art has been adopted by popular singers, filmmakers, and repertory theaters. Band members include: 3rian King, voice, piano, and acoustic guitar; Nathan Cohen, violin, trumpet, voice; Dennis Monagle, drums; Renee Dupuis, voice, keys, and melodica; and Joe Cardoza, upright bass. Friday, August 21, 2026 6:00pm Singer/songwriter 3rian King and the musicians of What Time Is It Mr. Fox? deliver an electrifying performance with an evening of smoky cabaret, neo-soul, and acoustic noir. Well known in Boston’s underground cabaret scene, What Time Is It Mr. Fox? has earned a loyal following with frequent performances in New York City and tours across the United States. Their original songs feature rich lyrical imagery that explore love, spirituality, sexuality, and identity, and their performances are infused with energy, honesty, and emotional authenticity. Their unique brand of music and performance art has been adopted by popular singers, filmmakers, and repertory theaters. Band members include: 3rian King, voice, piano, and acoustic guitar; Nathan Cohen, violin, trumpet, voice; Dennis Monagle, drums; Renee Dupuis, voice, keys, and melodica; and Joe Cardoza, upright bass. Please join us on Friday, August 29th in front of the Gloucester Unitarian Universalist Church, corner of Middle and Church Streets, Gloucester, for Jim 'n' Tonic, a loud and wildly eclectic five piece band featuring Jim Coyle, Rikki Razdan, John Cameron, Ken Steiner, John Loud. They are a cool and beloved group on Cape Ann and beyond who love to have a great time interacting with their audience as they crank out some great tunes! Please join us on Friday, August 29th in front of the Gloucester Unitarian Universalist Church, corner of Middle and Church Streets, Gloucester, for Jim ‘n’ Tonic, a loud and wildly eclectic five piece band featuring Jim Coyle, Rikki Razdan, John Cameron, Ken Steiner, John Loud. They are a cool and beloved group on Cape Ann and beyond who love to have a great time interacting with their audience as they crank out some great tunes! Saturday, August 29, 2026 6:00pm Please join us on Friday, August 29th in front of the Gloucester Unitarian Universalist Church, corner of Middle and Church Streets, Gloucester, for Jim ‘n’ Tonic, a loud and wildly eclectic five piece band featuring Jim Coyle, Rikki Razdan, John Cameron, Ken Steiner, John Loud. They are a cool and beloved group on Cape Ann and beyond who love to have a great time interacting with their audience as they crank out some great tunes! Gloucester’s own Goddesses light up the night with an evening of classic rock ‘n roll. Dust off your best dance moves and get ready for a spectacular musical evening featuring the high-powered Goddesses rocking out the best-of-the-best classic rock ‘n roll tunes. Their repertoire spans the roots of rock to its pinnacle and beyond and the Goddesses deliver a non-stop performance that will have you on your feet, singing along, and wanting more. Headlined by powerhouse couple Tony and Samantha Goddess on vocals and electric guitar, the Goddesses features Dave Sag on bass, Steve Chaggaris on drums, and John Cameron on keys. Gloucester’s own Goddesses light up the night with an evening of classic rock ‘n roll. Dust off your best dance moves and get ready for a spectacular musical evening featuring the high-powered Goddesses rocking out the best-of-the-best classic rock ‘n roll tunes. Their repertoire spans the roots of rock to its pinnacle and beyond and the Goddesses deliver a non-stop performance that will have you on your feet, singing along, and wanting more. Headlined by powerhouse couple Tony and Samantha Goddess on vocals and electric guitar, the Goddesses features Dave Sag on bass, Steve Chaggaris on drums, and John Cameron on keys. Friday, September 04, 2026 6:00pm Gloucester’s own Goddesses light up the night with an evening of classic rock ‘n roll. Dust off your best dance moves and get ready for a spectacular musical evening featuring the high-powered Goddesses rocking out the best-of-the-best classic rock ‘n roll tunes. Their repertoire spans the roots of rock to its pinnacle and beyond and the Goddesses deliver a non-stop performance that will have you on your feet, singing along, and wanting more. Headlined by powerhouse couple Tony and Samantha Goddess on vocals and electric guitar, the Goddesses features Dave Sag on bass, Steve Chaggaris on drums, and John Cameron on keys. Born and raised in New Orleans' 13th Ward, Henri Smith grew up inside the music — in a neighborhood thick with musicians, where names like the Neville Brothers, Fats Domino, Dave Bartholomew, and Papa French were simply part of the air. He carried that inheritance into a long career as a beloved voice on WWOZ, New Orleans' legendary jazz station, and as a performer and emcee at the New Orleans Jazz & Heritage Festival. Then Hurricane Katrina took his home, and the storm that scattered so much of New Orleans carried Henri north — to Cape Ann, where he rebuilt his life and his music. Today he's our neighbor, and his songbook of jazz, blues, Creole, and Cajun is a living thread between two communities that both understand resilience. For this performance Henri brings his Ensemble, an all-star lineup carrying the New Orleans tradition forward. 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